Sakeesian Hotline // I Got the Canon R5 [ no life podcast ]

Will You Call the Sarkeesian Hotline?

In this episode of No Life Podcast, we take a look at Jason Schreiers new piece where he details how Blizzard employees leaked a document showcasing everyone's salary and the disparity between Blizzard Activision CEO Bobby Kotick. Then we dive into the Sony exclusive issue, and the new Gaming Industry Hotline for those who were harassed or troubled by crunch, set up by Anita Sarkeesian. Last, we look at Apple's new iMac's and Wayne talks all about his experience with the Canon R5.




Is the Canon R5 4K "Unusable?" | Testing 4K Modes & Atomos Ninja

Let's Put it to the Test!

Well the Canon R5 is here, and I'm ready to put it through its paces. One of the things I wanted to know about this camera was its "4K NON-HQ" video recording mode. You see, the biggest criticism pointed at the R5 is its proclivity to overheat. Canon states the camera overheats at 8K, 4K HQ which is 4K downsampled from the 8K sensor, 4K 60fps, and 4K 120fps. But the camera doesn't overheat in the full-frame 4K lineskipped/binned mode at 24, 25, & 30fps. This means this is the preferred recording setting for most videographers with this camera - because you no longer need to worry about the oppressive, and variable, overheating times in the other modes. With that being said, I wanted to know how good, or how bad, the "Low Quality" 4K really is. So I put it to the test!


After watching the video, I think it's clear there is a noticeable difference in image quality between the downsampled 4K, and the "Low Quality" 4K. The image coming out of the 4KHQ is so god damn crisp and detailed. It's easily some of the best 4K seen out of a small mirrorless hybrid. Easily. But the 4KLQ isn't too far behind. Comparing the two images, the LQ is only a bit softer and a bit less detailed. You don't lose any dynamic range, you don't lose any motion data, you don't lose color data. You just get a softer image, when compared against the BEST 4K on the market. There is, however, some noticeable aliasing or line-skipping, that you can see on my glasses at 100% scale - which may be the biggest criticism. But we are really pixel peeping here, and for the most part, the differences between the two are negligible.

I also decided to contrast the two modes externally with the Atomos Ninja V. Here, we can see pretty much the same story. Unfortunately, the addition of the Ninja doesn't help increase the available recording time in 4KHQ too much, only giving about another 30 minutes before the camera overheats and needs almost 2 hours before completely cooling down. That said, utilizing a Ninja will allow you to record in 10-bit without needing to utilize the hard-to-render H265 video codec.

Finally, I think the Canon R5's "Low Quality" 4K is not "Low Quality" at all, or what Tony Northrup called "unusable". In fact, I think it looks great! If you found the 4K quality coming out of the older EOS R to be adequate, you will be very happy with the 4K quality coming out of the R5. It's nearly identical, except now you have true full-frame with no crop, as well as the added 10-bit with internal recording. I think most people will be very happy with this upgrade.


The ONLY Way to Cool the Canon R5 & R6

No, Not a Leafblower...

The Canon R5 & R6 are hot, hot, hot! Literally. If you've been following the world of videography and photography, you'll know the latest releases from Canon have brought up a ton of controversy, mainly due to the camera's thermal limitations. It's very reminiscent of earlier Apple laptops, which were criticized for not allowing manageable thermals. Now, regardless of the thermal limitations, it's still the camera I'm going to be picking up (in fact, I'm going with an R5 over the R6 and I'll explain why once the camera gets in). But with this added controversy has come a wave of opportunists. Camera accessory company Tilta is already jumping on the train and offering an active cooling fan that slaps right on the back of the Canon R5, to try and mitigate the heat.



Now from the images provided by Tilta, we can see they're claiming a "Maximum Temp Reduction of 82F". I'm not sure if this means that the camera can disperse 82F temps, or it can only manage 82F temps - I think it's left unclear and vauge for a reason. But I'm more interested in seeing if the product works at all. Mainly because we know the overheating deals with the phsyical sensor itself. The sensor builds up too much heat, and to evade damage, it limits itself. In other words, it's not like the camera's processor overheats like what we see in computers. This would mean, unless the sensor is connected to the body of the camera, which it's not since there is an IBIS motor built in, this fan would do very little work. Don't believe me? Well watch Armando's recent video where you see him using leafblowers on the camera, and later in which he states they did almost nothing.

A Real Solution

So unless Tilta is working some real magic (which who knows, maybe it does work and make a difference), I don't see this type of cooling method working. However, recent reports from show a new patent that displays an active RF mount cooler. This, by far, make much more sense. In the patent, you can see how the fan or active cooler sits behind the lens and in front of the sensor. This direct connection to the sensor would surely reduce temperatures, much more so than literally any method short of watercooling. Not only this, but it also enables the camera to keep its watersealing. This is PERFECT in my case, where I want a watersealed body some days, and other days, a fully fledged cinema rig. If something like this were to release, I think it would make the R5/R6 so much more appealing to many. There are almost no downsides to this type of cooling method.




Why I Preordered the Canon R6 over the R5 (& Why You Might Wanna Too)

Canon R5 & R6 Are the Grails We've Waited For!

In the video above I discuss the new R5 & R6 releases from Canon. To me, both of these cameras offer all my needs wrapped up in one body, and at reasonable price points! First off, I've shot with Canon as my first foray into shooting. But around the time I was jumping into video shooting, 4K was becoming more apparent. It was still "bleeding edge" but something of a reality. The only cameras offering this was Sony at the time, and so I moved to the Sony ecosystem. Since then I've been a fully embedded Sony shooter, owning an a6000, a6300, a7s2, RX100mk3, RX100mk4, and I still use my Sony a7r3 as my main high MP photo camera and video B-cam. I own countless lenses from Sony and Sigma, and a swath of accessories. I've loved my time with Sony, but I've always wanted more. Having a weak IBIS system, an OK color science, only 4:2:0 8-bit, and no flip-screen, has left me with a hole in my camera needs. I ended up picking up a Canon EOS R because I was happy Canon was moving to mirrorless, and I wanted a camera with great usability and flip out screen. I quickly found myself using the EOS R as my main A camera. Of course, this camera has also come with its own limitations. Massive 4K crop and lack of IBIS being the main issues.

canon-r6But then the R5 was leaked. It seemed to pack everything I wanted in a camera. Canon's excellent usability and body design, with top tier Sony-like specs and no crops. It sounded too good to be true. But when I heard about the Canon R6, I knew that would've been the camera for me. Fast forward till now, and both are announced. The R5's headline features are 4k120p and 8k 30fps RAW. This is on top of the INSANE specs like oversampled 4K 10-bit 4:2:2 internal, a brand new insanely good IBIS, best in class AF, C-log, and the return to the joystick. The perfect camera with added specs to help push along the industry. All this under $4000. It does seem however, the R5 isn't the "perfect camera". Documents from Canon showing the camera's top modes like the oversampled 4K, 4K120, and 8K all suffer from overheating. This has left a big stain on the legacy of this camera. As a Sony shooter, I've had enough of overheating. So this was some upsetting news.

from EOSHD / CVP

However, Canon did the best thing they done in years, and released the R6 with almost all the same specs - minus 4K120 and 8K. You still get 4K60fps, you still get the IBIS, you still get 10-bit 4:2:2 internal in all modes, there is no crop of course, you still get best in class AF, you still get the flipscreen, and you still get C-Log, you still get USB-C 3.1 gen 2  features like charging/powering/data transfer. All at almost half the price. Not too mention, it doesn't utilize the insanely expensive Cfast Express storage format, and takes regular-old SD cards. Now, one of the biggest "cripples" of this camera was that all modes only had IPB recording modes. This limits the bitrate to a much more compressed state. While the difference between IPB and ALL-I is negligible, it does make a difference. But this newly revitalized Canon has recently come out to say they will be adding ALL-I to all modes in a firmware update! Incredible news! This means the only true sacrifice (for myself) is losing 4K120p. Which is a huge feature, but not one that I'm willing to trade reliability and double the price for. Not yet at least. Finally, this tweet by Gerald Undone sums up my feelings on the R6 perfectly.

The Canon R6 is a much better value for the money. Utilizing 4K60 Prores with an Atomos, eliminating any overheating issues, while also utilizing an oversampled sensor and using SSD's / SD's over CFExpress, make this camera truly one of the most versatile and impressive mirrorless hybrids we've seen to date. It's been the camera I've been waiting for since the Sony A7S2. And speaking of Sony, the news coming from A7S3 sound really promising. These two companies back to competing neck and neck with eachother for the top spot has brought some excitement back into the ILC market, which we haven't had in a long, long time. So I'm pumped to get my hands on the new R6, and I'll be sure to post up my review once I've fully messed with the camera. Shipping says it won't be here until September, so we have quite the wait.




Druckmann is a Genius | Apple goes ARM! [ no life podcast ]

What a week...

This week, we are jam packed with news and drama. First off, Wayne gives his SPOILER FILLED review of Last of Us 2. As you can tell by the title, he really likes it. Then, the crew dive into the litany of sexual assault / misconduct allegations against many in the gaming community, including Angry Joe and ProSyndicate. Next, the crew discuss the economics and ramifications around how Mixer was just recently sold off into Facebook Gaming. And lastly in gaming, Cards Against Humanity gets cancelled. Finally, in tech, we discuss Apple's transition to their own chips and what else is new in iOS 14 & iPadOS. Great episode. Tune in.




The PS5 is upon us [ no life podcast ]

Time to SONY

In this episode, we discuss the PS5 Reveal.



4K Upscale the Switch | Sony ZV-1 is FLAWED [ no life podcast ]

Upscale the un-scaled

In this episode of No Life Podcast, Wayne gushes over the cRPG Divinity II Original Sin, they discuss the new Nintendo Switch 4K upscaler, and in tech Wayne and Jerry discuss why the new Sony ZV-1 vlog camera is flawed, but awesome, but also flawed, but at the same time awesome.





Unreal is Unreal | Keemstar vs H3H3 [ no life podcast ]


In this episode of the No Life Digital Podcast, Wayne discusses the various RPG's he's been playing. Trials of Mana on Switch, Grim Dawn on PC, and even Elder Scrolls Blades on mobile. Then in gaming we dive into the tech demo Epic released showcasing their Unreal Engine 5. Finally in tech, the crew discuss the ethics of Ethan Klein of H3H3 Productions "Content Nuke" on famed YouTube villain Keemstar. Did he go too far? Not far enough? Find out our thoughts and much more on the episode...

Subscribe to No Life Digital Podcast on iTunes and Spotify



Tony Hawk Pro Skater is BACK | AMD Amps up Ampere [ no life podcast ]

Nostalgia At Its Worst

In this episode of No Life Digital podcast, we've had enough with the remakes with the announcement of Tony Hawks Pro Skater 1 + 2 remakes. And in tech, we take a look at how AMD is pushing Nvidia to its breaking point. All this and much more on this episode. Check it out....




My Blackmagic ATEM Mini Studio Setup

My ATEM Mini Setup

As someone who has been creating YouTube videos for over 5 years now, I'm no stranger to odd workflows. Thankfully,  Blackmagic and Elgato have released a suite of products that have made pro-sumer content creators' lives a lot easier. Because of this, I've been able to craft myself a home studio that not only outputs a great image at a low price, but increase my workflow and productivity while doing it. In the video above, I go through my entire setup, from what products I use, to how I connect them together, to how I personally use them to create the content I want to create.

The "Studio" Corner

In the video, you'll see I have broken up my workstations into two. On one side is the "Studio". This is where my two main cameras reside, the Canon EOS R for my main camera A, and the Sony a6000 (b-cam) for top down shots. I also have an old 2016 5K iMac that I use strictly for bringing up videos and websites for commentary. All these devices are piped into the ATEM Mini, which is a great HDMI switcher for a low price. This ATEM Mini allows me to, on the fly, switch to any input or camera I have attached. What this does is allow me to Multi-cam edit on the fly, drastically reducing my editing time. It does all this, without worry of inputs, resolution, and codecs. It just works! The microphone I use, the Shure SM7B is sent separately to my Zedi8 mixing board, which resides on my PC Station

The "PC" Corner

This area is where both my PC's, my mixing board, my capture cards, and separate camera, all reside. Think of it like the "brain" of the studio. So first off, the ATEM Mini is connected to the Gaming PC by one USB cable. The Zedi8 is also connected to the Gaming PC by USB. All my microphones are connected to the Zedi8 by XLR, and my Streaming PC is connected to the Zedi8 by 1/4 line. This allows me to not only capture audio from my mics into OBS, but both of my PC's for gaming capture. Speaking of game capture, my Gaming PC (i7 9700k/GTX1080ti) holds an HD60 Pro for capturing my gaming consoles like my Nintendo Switch and PS4, all by HDMI. The Streaming PC (i7 6700k/GTX1080), captures my Gaming PC via 4K60Pro through HDMI. So when PC gaming, I utilize my Streaming PC, and when capturing the "Studio Corner" & console gaming, I utilize my Gaming PC. Lastly, for game capture, I use my Sony a7RIII as a "webcam" captured via Camlink 4k. So all in all, no matter what I do, I'm able to capture my content in very high quality.


Finally, this set up might seem a bit convoluted. But compared to what we had to deal with before products like the Camlink and ATEM Mini existed, it's a Godsend. I love the versatility and speed this setup has. I can turn my cameras on, turn my lights on, sit at my desk, and I have a full multi-cam studio, that I can fully control, all at my fingertips. While it may seem expensive, it's still a fraction of the cost equipment with these features used to cost! So hopefully you'll able to come away from this video/article with a new appreciation or understanding on what goes into making a solo-one-man-studio. If I can figure it out, you can too!